Saturday, November 26, 2011

FOUNDING FATHERS

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This Saturday is July 4, a day when Americans of all shapes and sizes will come together to commemorate the founding of their country, and the noble pursuit of life, liberty, and overcooked hamburgers. Here’s a quick quiz question – how many people signed the Declaration of Independence? We’re betting that few of you, not including the people who compulsively Googled that question, knew the answer is 56.
Fifty-six?! Yes, there were far more Founding Fathers than most people learn about in civics class. Last year, we told you about five of these men – Carter Braxton, Button Gwinnett, Robert Treat Paine, Edward Rutledge and William Whipple. As fun as it is to type the names “Button Gwinnett” and “William Whipple,” here are four more founders you may not have heard of.

1. George Read – the one who voted against independence

george readYes, it’s true: not all of the signers of the Declaration of Independence were in favor of independence. George Read was the lone holdout when the final vote was held in the Continental Congress on July 2, 1776.

At age 15, Read began studying the law, and he was admitted to the Philadelphia Bar in 1753, when he was only 19 years old. Before he had even passed the bar exam, however, he was entrusted with numerous legal responsibilities under the tutelage of well-respected Pennsylvania lawyer John Moland. Like many of the other Founding Fathers, he stood in opposition to Parliamentary measures like the Stamp Act in the 1760s. But for more than a decade he publicly maintained the belief that the colonies’ interests and Britain’s interests could be peacefully reconciled.

george read 2When he was elected to the first Continental Congress on behalf of Delaware, it looked as though his voice would be drowned out by two far more liberal delegates, Thomas McKean and Caesar Rodney. However, Rodney’s asthma and skin cancer kept him out of the legislative body a good deal, which empowered Read enough to endanger Delaware’s participation in the revolution (see #2 below).

Once the revolution had begun, Read defended his state admirably, raising money, troops and supplies to assist the counter-invasion war effort.

2. Caesar Rodney – the one who barely made it

rodney 2Any numismatists (people who study money) reading this might recognize Caesar Rodney’s name. He shows up on the back of that state’s quarter, mounted on a horse. Why a horse? He was a relatively minor player on the battlefield, but Rodney is best remembered for an all-night ride from Dover, Delaware to Philadelphia, Pennsylvania to break a crucial tie in the Continental Congress.

Rodney was one of three delegates to the Congress from Delaware, along with George Read and Thomas McKean. But owing in part to his illnesses, Caesar spent most of his time outside of the capital, usually attending to military duties as a brigadier general in the Delaware militia. He was leading an investigation into Loyalist activity in Sussex County when, on the evening of July 1, he received a dispatch from McKean: on July 2, the delegates were going to vote on whether or not to sever ties from Britain. Read and McKean were deadlocked in their stances on independence – if Delaware was to be a part of the movement, Rodney’s vote was needed to break the tie.

rodney quarterLeaving from his home at midnight, Rodney rode all night through a thunderstorm to the capital. The precise details of Caesar’s Midnight Ride have been skewed a bit as the story entered the folklore – Rodney either arrived at Independence Hall just as the debate was ending or while the vote was already in progress. All versions of the story have the same dramatic ending, though; Rodney entered the hall, unkempt and covered with mud, and announced, “As I believe the voice of my constituents and of all sensible and honest men is in favor of independence, my own judgment concurs with them. I vote for independence.”

This is a pretty nifty story, to be sure. But Rodney may also be remembered for what John Adams said about him: “Caesar Rodney is the oddest-looking man in the world.”

3. John Witherspoon – the one who coined “Americanism”

John WitherspoonOriginally hailing from Scotland, Rev. John Witherspoon was the only active member of the clergy to sign the Declaration. His legacy in America, though, isn’t in politics, but in education – Witherspoon was the sixth president of the College of New Jersey, now known as Princeton University. It took two years for representatives of the school to get Witherspoon to come to America (his wife in particular was initially opposed to the idea). Once the reverend took over at the helm in 1768, the school flourished.

According to the president’s biography on the Princeton website, he was “a man of strong convictions,” but introduced students to ideas with which he had publicly disagreed. He is remembered as a dynamic intellectual who brought the thinking of the Scottish Enlightenment into the mainstream in the colonies. Indeed, his ideas have a direct link to the nation’s history, since the students who graduated during his tenure included one president (James Madison), one vice-president (Aaron Burr), 60 members of Congress and three Supreme Court justices.

witherspoon 2But even though he had only a meek presence in the political sphere, Witherspoon was the person who coined the term “Americanism” in an essay on language. When John Adams visited Princeton in 1774, he met with Witherspoon and was seriously impressed. The future president of the U.S. said the college president was “as high a Son of Liberty, as any man in America.”

On a less historical note, Reese Witherspoon, who played Elle Woods in the Legally Blonde movies, is a direct descendant. John would surely be proud.

4. Robert Morris – the one who went from prince to pauper

robert morrisRobert Morris made a lot of money off of the Revolutionary War, but without his efforts, the Continental Army might not have made it through to the surrender at Yorktown. He was one of many merchants who spoke out in opposition to the Stamp Act, but the eventual Pennsylvania delegate didn’t get very involved with the American effort until after Lexington & Concord. On July 1, 1776, he actually voted against independence, but unlike George Read, he was more flexible in his views. On the next day, he did not attend the final vote, which ensured that Pennsylvania would be part of the united front against the redcoats.

As George Washington faced down a war that at times looked hopeless, Morris toiled in and out of Congress to help keep the country’s finances afloat. In addition to borrowing money from the states, he sponsored troops on his own on occasion, taking out personal loans and sending them the army’s way. It was Morris who acquired the loan from France that financed Gen. Washington’s Yorktown campaign.

robert morris 2As the Superintendent of Finance under the short-lived Articles of Confederation, Robert demanded that he should personally purchase all Army and Navy supplies and once again fell back on his own checkbook to help stabilize the fledgling country’s budget.

After declining Washington’s offer to be the first Secretary of the Treasury under the new Constitution, Morris became a senator for the state of Pennsylvania. To his detriment, he also began speculating, on overextended credit, in the south and in the District of Columbia. Knowing he couldn’t pay off his debt, he tried to flee creditors, but to no avail. He wound up in debtors’ prison for three years. Upon his release in 1801, his wealth and property had dissipated and, for the next five years until his death, the once-rich Morris lived in poverty.

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FEMME FATALE

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RAY CHARLES: LOOKING BACK

As his 80th birthday approaches, a look at the life and legacy of the late Ray Charles.


"I just do what I do." That's what Ray Charles told Billboard in June 2002 when asked to assess his role in music history. Of course, Charles' self-effacing response belies a groundbreaking career and a legacy that endures today, as fans look toward celebrating what would have been the legendary artist's 80th birthday Sept. 23. Looking back at Charles' storied career, what comes to mind is the phrase "musical genius." In Charles' case, that's no hype.


Rare & Unseen Ray Charles Photos | Charles on the Charts

80th Birthday Year Events | Charles Charity


In 1954, the artist's melding of gospel and blues yielded the pioneering hit "I've Got a Woman"-and forged an indelible imprint on R&B, rock and pop. His earthy, soulful voice graced a steady stream of classics after "Woman," including "Drown in My Own Tears," "What'd I Say," "Hit the Road Jack," "Unchain My Heart," "I Can't Stop Loving You" and "Georgia on My Mind."

Video below: Ray Charles performs "Hit The Road Jack" in São Paulo, Brazil on September 22, 1963.


Video below: Ray Charles performs "Then I'll Be Home" in Montreux, Switzerland on July 19, 1997.


Just as at home on the Hammond B-3 organ as he was on the piano, he also landed at the top of Billboard's R&B, pop, country and jazz charts-and even the dance chart, collaborating with childhood friend Quincy Jones and Chaka Khan on "I'll Be Good to You."

His final recording, 2004's "Genius Loves Company," made history when it won eight Grammy Awards, including album and record of the year for his pairing with Norah Jones on "Here We Go Again."

But what many may not know is that the inimitable Charles was also a genius when it came to the business side of music. In the early '60s he negotiated a rare feat after leaving Atlantic Records to sign with ABC-Paramount: ownership of his own master recordings. He also established his own labels. Tangerine (his favorite fruit) came first, which later evolved into CrossOver Records.

A songwriter who penned nearly 200 songs, Charles also operated his own publishing companies, Tangerine Music and Racer Music. For these entities, Charles and longtime manager Joe Adams designed and built the RPM International office and studios on Washington Boulevard in Los Angeles. The Ray Charles Memorial Library will open in the building this fall.

Charles also found time to manage the careers of other acts, including Billy Preston and '70s R&B group the Friends of Distinction. And way before it was de rigueur for artists to do, Charles set up what became a foundation to help needy children with hearing disabilities and later on support education.


He was an amazing human being," says Jones, 77, who became friends with Charles when both were scrappy teenagers in Seattle. "A true innovator who revolutionized music and the business of music," he adds. "Growing up, we only had the radio; no Michael Jackson, Diddy or Oprah. So it was hard to imagine today's entrepreneurial world. But that didn't stop us. We spent a lot of time talking and dreaming about things that brothers had never done before."

"He really was a genius," says singer Solomon Burke, a former Atlantic labelmate. "He did things the way he wanted."

Charles was born Ray Charles Robinson Sept. 23, 1930, in Albany, Ga. As many learned through actor Jamie Foxx's Academy Award-winning portrayal in the 2004 film "Ray," Charles became blind by age 7 and orphaned at 15 while growing up in northwest Florida.

In eight years at a state school for the blind, the young Charles learned how to read and write music. Leaving Florida in 1947, he headed for Seattle ("Choosing the farthest place he could find from Florida," Jones says), where he notched his first hit two years later as a member of the Maxin Trio, "Confession Blues."

Even then, Charles was an enterprising individual. "He had his own apartment, record player, two pairs of pimp shoes, and here I am still living at home," Jones recalls with a laugh. "His mother trained him not to be blind: no cane, no dogs, no cup. His scuffed-up shoes... that was his guide and driving force. He was the most independent dude I ever saw in my life. Ray would get blind only when pretty girls came around."

Signing with Atlantic Records in 1952, Charles as a West Coast jazz and blues man recorded such songs as "It Should've Been Me" and label co-founder Ahmet Ertegun's composition, "Mess Around."

Then he connected in 1954 with "I've Got a Woman," which set off a chain reaction of more hits capitalizing on his bold gospel/blues fusion. But Charles was just getting started. In 1958, he performed at the Newport Jazz Festival, accompanied by a band that featured such jazz cats as saxophonists David "Fathead" Newman and Hank Crawford. Further bucking convention, he recorded "The Genius of Ray Charles," a 1959 release offering standards on one side (including "Come Rain or Come Shine") and big band numbers on the other, featuring members of Count Basie's orchestra and several arrangements by Jones.


Video below: Charles' 1966 Coke commercial, "So Tired."



Leaving Atlantic for ABC-Paramount, a fearless Charles recorded the seminal "Genius + Soul = Jazz" album in 1961. A year later, his earlier dabbling in country music grew serious with the release of the million-selling "Modern Sounds in Country and Western Music."

Complemented by lush strings and a harmony-rich choir, he scored with covers of Don Gibson's "I Can't Stop Loving You" and Ted Daffan's "Born to Lose"-and spent 14 weeks at No. 1 on the Billboard 200.




For a black man to do this in 1962 was unheard of," says Tony Gumina, president of the Ray Charles Marketing Group, which handles the late artist's licensing affairs. "He was trying to sell records to people who didn't want to drink from the same water fountain as him. But this was one of his greatest creative and business moves: to not be categorized musically and cross over. Though he never worried about it, he was resigned to the fact that he might lose some core fans. But he thought he'd gain far more in the process."

Gumina was operating his own promotion company working with state lotteries when he met Charles in 1999. The two teamed up on a series of commercials for various state lotteries and also introduced a line of Ray Charles slot machines also accessible to the blind.

"Everything he did had a business acumen to it," says Gumina, who cites Charles' liaison with manager Adams as a pivotal turning point. Originally hired to be Charles' stage announcer, former radio DJ Adams segued into overseeing production of the singer's shows, lighting and wardrobe.

Together the pair designed and built Charles' L.A. business base, RPM International (Recording, Publishing and Management) studio. When he began recording there in 1965, the label rented the studio from him, so he made money on his recordings before they were even released.

To save money on travel expenses, Charles purchased an airplane to ferry his band around to gigs. A smaller plane was also acquired so that Charles could wing in to, say, New York to record a couple of songs before flying back out in time for a show.

"He understood the entertainment business enough to know that you may not be popular forever," Gumina says, "and you need to maximize your product. At the same time, he had as much fun as any rock star but without the sad money stories. There was a time to work and a time to play, and he knew the difference. He didn't have a bunch of homes or a large entourage. That's why he was able to save $50 million before he died."

Calling Charles an "incredibly smart man," Concord president John Burk says he learned a lot from the ailing singer while he was recording his final studio album, "Genius Loves Company."

Video below: Ray Charles performs "It Ain't Easy Being Green" in Trentnton, NJ on Nov. 7, 2002.


Going through "some sticky deal points, he was amazing," Burk recalls. "He had the whole agreement in his head. Without referencing any material, he knew all the terms we proposed and had the deal done for the album in two discussions."

Creatively, Burk says Charles was an artist dedicated to delivering "a true performance from the heart. Part of his creative legacy was his approach to singing. He opened the door to vocal improvisations, changing how people perceived you could sing a song. Many singers today are influenced by him and they don't even know it."


Rare & Unseen Ray Charles Photos | Charles on the Charts

80th Birthday Year Events | Charles Charity

WHACKO JACKO - AN ODYSSEY

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