Tuesday, January 31, 2012

JESSE JAMES

Jesse James

Jesse James 
Jesse James

Jesse James c. 1882
BornJesse Woodson James
September 5, 1847
Kearney, Missouri, U.S.
DiedApril 3, 1882 (aged 34)
St. Joseph, Missouri, U.S.
NationalityAmerican
Known forRobbery
SpouseZerelda Mimms
ChildrenJesse E. James, Mary James Barr
ParentsRobert S. James, Zerelda Cole James
Jesse Woodson James (September 5, 1847 – April 3, 1882) was an American outlaw, gang leader, bank robber,train robber, and murderer from the state of Missouri and the most famous member of the James-Younger Gang. Already a celebrity when he was alive, he became a legendary figure of the Wild West after his death. Some recent scholars place him in the context of regional insurgencies of ex-Confederates following the American Civil War rather than a manifestation of frontier lawlessness or alleged economic justice.[1]
Jesse and his brother Frank James were Confederate guerrillas during the Civil War. They were accused of participating in atrocities committed against Union soldiers. After the war, as members of one gang or another, they robbed banks, stagecoaches, and trains. Despite popular portrayals of James as a kind of Robin Hood, robbing from the rich and giving to the poor, there is no evidence that he and his gang used their robbery gains for anyone but themselves.[2]
The James brothers were most active with their gang from about 1866 until 1876, when their attempted robbery of a bank in Northfield, Minnesota resulted in the capture or deaths of several members. They continued in crime for several years, recruiting new members, but were under increasing pressure from law enforcement. On April 3, 1882, Jesse James was killed by Robert Ford, who was a member of the gang living in the James house and who was hoping to collect a state reward on James' head.

Early life

Jesse James Farm in Kearney.
Jesse Woodson James was born in Clay County, Missouri, near the site of present day Kearney, on September 5, 1847. Jesse James had two full siblings: his older brother, Alexander Franklin "Frank", and a younger sister, Susan Lavenia James. Across a creek and up a hill from the house on the right was the home of Daniel Askew, where Askew was killed on April 12, 1875. Askew was suspected of cooperating with the Pinkertons in the January 1875 arson of the house (in a room on the left). James's original grave was on the property but he was later moved to a cemetery in Kearney. The original footstone is still outside, although the family has replaced the headstone.
His father, Robert S. James, was a commercial hemp farmer and Baptist minister in Kentucky, who migrated to Bradford, Missouri after marriage and helped found William Jewell College in Liberty, Missouri.[1] He was prosperous, acquiring six slaves and more than 100 acres (0.40 km2) of farmland. Robert James travelled to California during theGold Rush to minister to those searching for gold[3] and died there when Jesse was three years old.[4]
After Robert James' death, his widow Zerelda remarried twice, first to Benjamin Simms and then in 1855 to Dr. Reuben Samuel, who moved into the James' home. Jesse's mother and Reuben Samuel had four children together: Sarah Louisa, John Thomas, Fannie Quantrell, and Archie Peyton Samuel.[3][5] Zerelda and Reuben Samuel acquired a total of seven slaves, who served mainly as farmhands in tobacco cultivation in Missouri.[5][6]

Historical context

The approach of the American Civil War overshadowed the James-Samuel household. Missouri was a border state, sharing characteristics of both North and South, but 75% of the population was from the South or other border states.[3] Clay County was in a region of Missouri later dubbed "Little Dixie," as it was a center of migration from the Upper South. Farmers raised the same crops and livestock as in the areas they migrated from. They brought slaves with them and purchased more according to need. The county had more slaveholders, who held more slaves, than in other regions. Aside from slavery, the culture of Little Dixie was Southern in other ways as well. This influenced how the population acted during and for a period of time after the American Civil War. In Missouri as a whole, slaves accounted for only 10 percent of the population, but in Clay County they constituted 25 percent.[7]
After the passage of the Kansas-Nebraska Act in 1854, Clay County became the scene of great turmoil, as the question of whether slavery would be expanded into the neighboring Kansas Territory came to dominate public life. Numerous people from Missouri migrated to Kansas to try to influence its future. Much of the tension that led up to the Civil War centered on the violence that erupted in Kansas between pro- and anti-slavery militias.[6][8]

American Civil War

Jesse James (unknown date)
The Civil War may have shaped Jesse James' life. After a series of campaigns and battles between conventional armies in 1861,guerrilla warfare gripped the state, waged between secessionist "bushwhackers" and Union forces which largely consisted of local militia organizations ("jayhawkers"). A bitter conflict ensued, bringing an escalating cycle of atrocities by both sides. Guerrillas murdered civilian Unionists, executed prisoners and scalped the dead. Union forces enforced martial law with raids on homes, arrests of civilians, summary executions, and banishment of Confederate sympathizers from the state.[9]
The James-Samuel family took the Confederate side at the outset of the war. Frank James joined a local company recruited for the secessionist Drew Lobbs Army, and fought at the Battle of Wilson's Creek, though he fell ill and returned home soon afterward. In 1863, he was identified as a member of a guerrilla squad that operated in Clay County. In May of that year, a Union militia company raided the James-Samuel farm, looking for Frank's group. They tortured Reuben Samuel by briefly hanging him from a tree. According to legend, they lashed young Jesse.[3]

Quantrill's Raiders

Frank eluded capture and was believed to have joined the guerrilla organization led by William C. Quantrill. It is thought that he took part in the notorious massacre of some 200 men and boys in Lawrence, Kansas, a center of abolitionists.[10][11]
Frank James followed Quantrill to Texas over the winter of 1863–64. In the spring he returned in a squad commanded by Fletch Taylor. After they arrived in Clay County, 16-year-old Jesse James joined his brother in Taylor's group.[3]
In the summer of 1864, Taylor was severely wounded, losing his right arm to a shotgun blast. The James brothers joined the bushwhacker group led by Bloody Bill Anderson. Jesse suffered a serious wound to the chest that summer. The Clay County provost marshal reported that both Frank and Jesse James took part in theCentralia Massacre in September, in which guerrillas killed or wounded some 22 unarmed Union troops; the guerrillas scalped and dismembered some of the dead. The guerrillas ambushed and defeated a pursuing regiment of Major A.V.E. Johnson's Union troops, killing all who tried to surrender (more than 100). Frank later identified Jesse as a member of the band who had fatally shot Major Johnson.[12] As a result of the James brothers' activities, the Union military authorities made their family leave Clay County. Though ordered to move South beyond Union lines, instead they moved across the nearby state border into Nebraska.[13]
After Anderson was killed in an ambush in October, the James brothers separated. Frank followed Quantrill into Kentucky; Jesse went to Texas under the command of Archie Clement, one of Anderson's lieutenants. He is known to have returned to Missouri in the spring.[12] Jesse was shot while trying to surrender when they ran into a Union cavalry patrol near Lexington, Missouri. Jesse James suffered the second of two life-threatening chest wounds.[14][15]

After the Civil War

Jesse and Frank James, 1872
Clay County Savings in Liberty
At the end of the Civil War, Missouri was in shambles. The conflict split the population into three bitterly opposed factions: anti-slavery Unionists, identified with the Republican Party; the segregationist conservative Unionists, identified with the Democratic Party; and pro-slavery, ex-Confederate secessionists, many of whom were also allied with the Democrats, especially the southern part of the party. The Republican Reconstruction administration passed a new state constitution that freed Missouri's slaves. It temporarily excluded former Confederates from voting, serving on juries, becoming corporate officers, or preaching from church pulpits. The atmosphere was volatile, with widespread clashes between individuals, and between armed gangs of veterans from both sides of the war.[16][17]
Jesse recovered from his chest wound at his uncle's Missouri boardinghouse, where he was tended to by his first cousin,Zerelda "Zee" Mimms, named after Jesse's mother.[12] Jesse and his cousin began a nine-year courtship, culminating in marriage. Meanwhile, his old commander Archie Clement kept his bushwhacker gang together and began to harass Republican authorities.
These men were the likely culprits in the first daylight armed bank robbery in the United States during peacetime,[18] the robbery of the Clay County Savings Association in the town of Liberty, Missouri, on February 13, 1866. This bank was owned by Republican former militia officers who had recently conducted the first Republican Party rally in Clay County's history. One innocent bystander, a student of William Jewell College (which James's father had helped to found), was shot dead on the street during the gang's escape.[19] It remains unclear whether Jesse and Frank took part.
After their later robberies took place and they became legends, there were those who credited them with being the leaders of the Clay County robbery.[12] It has been argued in rebuttal that James was at the time still bedridden with his wound. No concrete evidence has surfaced to connect either brother to the crime, or to rule them out.[20] On June 13, 1866 in Jackson County, Missouri two jailed members of Quantril's gang were demanded to be freed by a gang and the Jailor killed[21] it is believed the James Brothers were involved.
This was a time of increasing local violence; Governor Fletcher had recently ordered a company of militia into Johnson County to suppress guerrilla activity.[22] Archie Clement continued his career of crime and harassment of the Republican government, to the extent of occupying the town of Lexington, Missouri, on election day in 1866. Shortly afterward, the state militia shot Clement dead, an event James wrote about with bitterness a decade later.[19][20]
The survivors of Clement's gang continued to conduct bank robberies over the next two years, though their numbers dwindled through arrests, gunfights, and lynchings. While they later tried to justify robbing the banks, these were small, local banks with local capital, not part of the national system that was an object of popular discontent in the 1860s and 1870s.[23] On May 23, 1867, for example, they robbed a bank in Richmond, Missouri, in which they killed the mayor and two others.[12][24] It remains uncertain whether either of the James brothers took part, although an eyewitness who knew the brothers told a newspaper seven years later "positively and emphatically that he recognized Jesse and Frank James ... among the robbers."[25] In 1868, Frank and Jesse James allegedly joined Cole Younger in robbing a bank at Russellville, Kentucky.
Jesse James did not become famous, however, until December 7, 1869, when he and (most likely) Frank robbed the Daviess County Savings Association inGallatin, Missouri. The robbery netted little money, but it appears that Jesse shot and killed the cashier, Captain John Sheets, mistakenly believing him to be Samuel P. Cox, the militia officer who had killed "Bloody Bill" Anderson during the Civil War. James's self-proclaimed attempt at revenge, and the daring escape he and Frank made through the middle of a posse shortly afterward, put his name in the newspapers for the first time.[26][27][28] An 1882 history of Daviess County said, "The history of Daviess County has no blacker crime in its pages than the murder of John W. Sheets."[29]
The 1869 robbery marked the emergence of Jesse James as the most famous of the former guerrillas and the first time he was publicly labeled an "outlaw," as Missouri Governor Thomas T. Crittenden set a reward for his capture.[29] This was the beginning of an alliance between James and John Newman Edwards, editor and founder of the Kansas City Times. Edwards, a former Confederate cavalryman, was campaigning to return former secessionists to power in Missouri. Six months after the Gallatin robbery, Edwards published the first of many letters from Jesse James to the republic, asserting his innocence. Over time, the letters gradually became more political in tone, denouncing the Republicans and voicing James' pride in his Confederate loyalties. Together with Edwards's admiring editorials, the letters turned James into a symbol of Confederate defiance of Reconstruction. Jesse James's initiative in creating his rising public profile is debated by historians and biographers, though the tense politics certainly surrounded his outlaw career and enhanced his notoriety.[28][30]
Meanwhile, the James brothers joined with Cole Younger and his brothers John, Jim, and Bob as well as Clell Miller and other former Confederates to form what came to be known as the James-Younger Gang. With Jesse James as the public face of the gang (though with operational leadership likely shared among the group), the gang carried out a string of robberies from Iowa to Texas, and from Kansas to West Virginia. They robbed banks, stagecoaches, and a fair in Kansas City, often in front of large crowds, even hamming it up for the bystanders.
On July 21, 1873, they turned to train robbery, derailing the Rock Island train in Adair, Iowa and stealing approximately $3,000 ($51,000 in 2007). For this, they wore Ku Klux Klan masks, deliberately taking on a potent symbol years after the Klan had been suppressed in the South by President Grant's use of the Force Acts. Former rebels attacked the railroads as symbols of threatening centralization.[31]
The James' gang's later train robberies had a lighter touch. In only two train hold-ups did they rob passengers, because James typically limited himself to the express safe in the baggage car. Such techniques reinforced the Robin Hood image that Edwards created in his newspapers, but the James gang never shared any of the robbery money outside their circle.[30]

Pinkertons

The Adams Express Company turned to the Pinkerton National Detective Agency in 1874 to stop the James-Younger gang. The Chicago-based agency worked primarily against urban professional criminals, as well as providing industrial security, such as strike breaking. Because the gang received support by many former Confederate soldiers in Missouri, they eluded the Pinkertons. Joseph Whicher, an agent dispatched to infiltrate Zerelda Samuel's farm, shortly afterwards was found killed. Two others, Captain Louis J. Lull and John Boyle, were sent after the Youngers; Lull was killed by two of the Youngers in a roadside gunfight on March 17, 1874. Before he died, Lull fatally shot John Younger. A deputy sheriff named Edwin Daniels also died in the skirmish.[32][33]
Allan Pinkerton, the agency's founder and leader, took on the case as a personal vendetta. He began to work with former Unionists who lived near the James family farm. On the night of January 25, 1875, he staged a raid on the homestead. Detectives threw an incendiary device into the house; it exploded, killing James's young half-brother Archie (named for Archie Clement) and blowing off one of the arms of mother Zerelda Samuel. Afterward, Pinkerton denied that the raid's intent was arson, but biographer Ted Yeatman located a letter by Pinkerton in the Library of Congress in which Pinkerton declared his intention to "burn the house down."[34][35]
The raid on the family home outraged many, and did more than all of Edwards's columns to create sympathy for Jesse James. The Missouri state legislature only narrowly defeated a bill that praised the James and Younger brothers and offered them amnesty. Allowed to vote and hold office again, former Confederates voted to limit reward offers that the governor could make for fugitives. This extended a measure of protection over the James-Younger gang. (Only Frank and Jesse James previously had been singled out for rewards larger than the new limit.)[36][37]

Downfall of the gang

Jesse and his cousin Zee married on April 24, 1874, and had two children who survived to adulthood: Jesse Edward James (b. 1875) and Mary Susan James (b. 1879). Twins Gould and Montgomery James (b. 1878) died in infancy. Jesse, Jr. became a lawyer in Kansas City, Missouri and Los Angeles, California.[38]
On September 7, 1876, the James-Younger gang attempted a raid on the First National Bank of Northfield, Minnesota. After this robbery and a manhunt, only Frank and Jesse James were left alive and uncaptured.[39] Cole and Bob Younger later stated that they selected the bank because they believed it was associated with the Republican politician Adelbert Ames, the governor of Mississippi during Reconstruction, and Union general Benjamin Butler, Ames' father-in-law and the Union commander of occupied New Orleans. Ames was a stockholder in the bank, but Butler had no direct connection to it.[40]
The gang attempted to rob the bank in Northfield about 2 p.m. on September 7, 1876 but the robbery was bungled because several gang members had been drinking that morning, something Jesse James would never have permitted had he been present in Northfield. This was a primary reason Jesse James was never indicted for the Northfield crimes. Jesse James was a highly disciplined Confederate terrorist in his day, but he never drank alcohol and never permitted his gang members to drink alcohol on the job because he had seen the disastrous results of drunken raids during and after the war. Northfield residents had seen the gang members leave a local restaurant near the mill shortly after noon, and they testified in Faribault at the Younger brothers' trial that they smelled of alcohol and that gang members were obviously under the influence when they greeted General Ames near the mill. The Northfield bank robbery was a debacle Jesse James would never have permitted had he been present that day. To carry out the robbery, the gang divided into two groups. Three men entered the bank, two guarded the door outside, and three remained near a bridge across an adjacent square. The robbers inside the bank were thwarted when acting cashier Joseph Lee Heywoodrefused to open the safe, falsely claiming that it was secured by a time lock even as they held a bowie knife to his throat and cracked his skull with a pistol butt. Assistant cashier Alonzo Enos Bunker was wounded in the shoulder as he fled out the back door of the bank.
Meanwhile, the citizens of Northfield grew suspicious of the men guarding the door and raised the alarm. The five bandits outside fired in the air to clear the streets, which drove the townspeople to take cover and fire back from protected positions. Two bandits were shot dead and the rest were wounded in the barrage. Inside, the outlaws turned to flee. As they left, one shot the unarmed cashier Heywood in the head. Historians have speculated about the identity of the shooter but have not reached consensus on his identity.
The gang barely escaped Northfield, leaving two dead companions behind. They killed two innocent victims, Heywood, and Nicholas Gustafson, a Swedish immigrant from the Millersburg community west of Northfield. A massive manhunt ensued. It is believed that the gang burned 14 Rice County mills shortly after the robbery.[41] The James brothers eventually split from the others and escaped to Missouri. The militia soon discovered the Youngers and one other bandit, Charlie Pitts. In a gunfight, Pitts died and the Youngers were taken prisoner. Except for Frank and Jesse James, the James-Younger Gang was destroyed.[42][43]
Later in 1876, Jesse and Frank James surfaced in the Nashville, Tennessee area, where they went by the names of Thomas Howard and B. J. Woodson, respectively. Frank seemed to settle down, but Jesse remained restless. He recruited a new gang in 1879 and returned to crime, holding up a train at Glendale, Missouri (now part of Independence, Missouri),[44] on October 8, 1879. The robbery was the first of a spree of crimes, including the holdup of the federal paymaster of a canal project in Killen, Alabama, and two more train robberies. But the new gang did not consist of battle-hardened guerrillas; they soon turned against each other or were captured, while James grew paranoid, killing one gang member and frightening away another.
By 1881, with authorities growing suspicious, the brothers returned to Missouri where they felt safer. In December, Jesse rented a house in Saint Joseph, Missouri, not far from where he had been born and raised. Frank, however, decided to move to safer territory, heading east to Virginia.[45][46]

Death

Site at 1318 Lafayette Street, where James was killed. To the right is the top ofPatee House, where his wife Zerelda stayed after his death. His house was subsequently moved to the Belt Highway and later to its current location on the Patee House grounds.
Jesse James's home in St. Joseph, where he was shot (currently at the grounds of the Patee House)
With his gang nearly annihilated, James trusted only the Ford brothers, Charley and Robert.[47] Although Charley had been out on raids with James, Bob was an eager new recruit. For protection, James asked the Ford brothers to move in with him and his family. James had often stayed with their sister Martha Bolton and, according to rumor, he was "smitten" with her.[2] James did not know that Bob Ford had been conducting secret negotiations with Thomas T. Crittenden, the Missouri governor, to bring in the famous outlaw.[47] Crittenden had made capture of the James brothers his top priority; in his inaugural address he declared that no political motives could be allowed to keep them from justice. Barred by law from offering a sufficiently large reward, he had turned to the railroad and express corporations to put up a $5,000 bounty for each of them.[2]
On April 3, 1882, after eating breakfast, the Fords and James prepared to depart for another robbery. They went in and out of the house to ready the horses. As it was an unusually hot day, James removed his coat, then declared that he should remove his firearms as well, lest he look suspicious. Noticing a dusty picture on the wall, he stood on a chair to clean it. Bob Ford shot James in the back of the head.[48][49][50] James' two previous bullet wounds and partially missing middle finger served to positively identify the body.[12]
The murder of Jesse James became a national sensation. The Fords made no attempt to hide their role. Indeed, Robert Ford wired the governor to claim his reward. Crowds pressed into the little house in St. Joseph to see the dead bandit, even while the Ford brothers surrendered to the authorities but they were dismayed to find that they were charged withfirst degree murder. In the course of a single day, the Ford brothers were indicted, pleaded guilty, were sentenced to death by hanging, and two hours later were granted a full pardon by Governor Crittenden.[51]
The governor's quick pardon suggested that he knew the brothers intended to kill James rather than capture him. Like many who knew James, the Ford brothers never believed it was practical to try to take him into custody.[citation needed]The implication that the chief executive of Missouri conspired to kill a private citizen startled the public and added to James' notoriety.[52][53][54]
After receiving a small portion of the reward, the Fords fled Missouri. Law enforcement officials active in the plan also shared the bounty. Later the Ford brothers starred in a touring stage show in which they reenacted the shooting.[55][56]
Suffering from tuberculosis (then incurable) and a morphine addiction, Charley Ford committed suicide on May 6, 1884, in Richmond, Missouri. Bob Ford operated a tent saloon in Creede, Colorado. On June 8, 1892, a man named Edward O'Kelley, went to Creede, loaded a double barrel shotgun, entered Ford's saloon and said "Hello, Bob" before shooting Bob Ford in the throat, killing him instantly. O'Kelley was sentenced to life in prison. O'Kelley's sentence was subsequently commuted because of a 7,000 signature petition in favor of his release. The governor pardoned him on October 3, 1902.[57]
James' mother Zerelda Samuel wrote the following epitaph for him: In Loving Memory of my Beloved Son, Murdered by a Traitor and Coward Whose Name is not Worthy to Appear Here.[47] James's widow Zee died alone and in poverty.

Rumors of survival

Rumors of Jesse James's survival proliferated almost as soon as the newspapers announced his death. Some said that Robert Ford killed someone other than James, in an elaborate plot to allow him to escape justice. These tales have received little credence, then or later. None of James's biographers has accepted them as plausible. The body buried in Kearney, Missouri, as Jesse James's was exhumed in 1995 and subjected to mitochondrial DNA typing. The report, prepared by Anne C. Stone, Ph.D., James E. Starrs, L.L.M., and Mark Stoneking, Ph.D., stated the mtDNA recovered from the remains was consistent with the mtDNA of one of James's relatives in the female line.[58] This theme resurfaced in a 2009 documentary, Jesse James' Hidden Treasure, which aired on the History Channel. The documentary was dismissed as pseudo-history and pseudo-science by historian Nancy Samuelson in a review she wrote for the Winter, 2009-2010 edition of The James-Younger Gang Journal.[59]
One prominent claimant was J. Frank Dalton, who died August 15, 1951, in Granbury, Texas. Dalton was allegedly 101 years old at the time of his first public appearance, in May 1948. His story did not hold up to questioning from James' surviving relatives.[60]

Legacy and controversies

STANLEY KUBRICK'S NEW YORK

Stanley Kubrick is best known for his directing credits — Lolita, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, etc. — but it was his early ability with the camera that originally propelled him into the art of capturing images. His talent was immense even at 17. In 1945, he sold a photograph of a sad news vendor reacting to the death of President Franklin D. Roosevelt to Look magazine for $25, and a couple months later became the youngest photographer ever hired by the magazine. Kubrick’s career as a photojournalist gives us another look into the man who directed some of the greatest movies ever put onto film. A keen eye for light and shadow drape his subjects under a veil that is strictly characteristic of Kubrick and his control over the camera.
His pictures are rife with an air of wonderment. Loser vs victor. Circus freaks, and paper boys. Organized chaos. The poses and situations of the subjects he captured, speak of a New York filled with the eclecticism it has spent decades parading and perfecting. 25 photos were hand selected out of 10,000 negatives for the currently running show at The Museum of the City in New York. What is being displayed is Kubrick’s 1940s New York, a New York we now get to experience as well: a city seen through the lens of a young master. See a selection of the photographs below then head over to The Museum of the City of New York and VandM to see the rest.


THE DEAD END KIDS - THE BOWERY BOYS




In 1984, "The Films of the Bowery Boys" by David Hayes and myself was published by Citadel Press. This website is designed to amend and add information that has come to light since that book's publication. This includes obituaries of Bowery Boys / Eastside Kids /Dead End Kids players who have departed since the book's publication, filmography additions, amended solo credits and various other data of interest. -- Brent Walker

BERNARD PUNSLY (1923-2004)
I've just found out (on January 22, 2004) that Dr. Bernard Punsly, the last of the original Dead End Kids, has passed away in Torrance, California, where he long had a medical practice.Here is an obituary.

BENNY BARTLETT (1924-1999)
Benny Bartlett reportedly passed away on December 26, 1999, in Redding, California. Bartlett, "Butch" of the Bowery Boys, had retired from the screen to work in the insurance business in Santa Barbara, California. He was known as Floyd "Bud" Bartlett during his later years.

BILLY BENEDICT (1917-1999)
On Thanksgiving Day, November 25, 1999, the actor best known as Whitey to Bowery Boys fans (and Skinny to Eastside Kids aficionados) succumbed at Cedars-Sinai Medical Center in West Hollywood of complications after heart surgery. He was 82, and had remained very busy up until recently in commercials. His film appearances are estimated at over 150 (and likely WELL over 150), and he was also very busy in television for many decades. First appearing as a Little Tough Guy at Universal, Benedict was also familiar to fans of feature films as the quintissential newsboy and messenger boy "type" in films ranging from ROAD TO UTOPIA with Hope and Crosby to Ed Wood's BRIDE OF THE MONSTER.

HUNTZ HALL (1919-1999)
Huntz Hall passed away in his North Hollywood home of heart failure on Saturday, January 30, 1999, after five weeks in the hospital. Huntz had stayed busy with film, television and dinner theater work in recent years. After years of fighting alcoholism, Huntz kicked it in 1982. His second wife Lee passed away four years ago, after which many said that he became more reclusive. However, he lived to see his son Gary become Reverend and preside at All Saints Church in Pasadena, and his grandson become a screenwriter. With his passing, only Dr. Bernard Punsly survives of the original six Dead End Kids. Fortunately, Huntz will stay alive forever on screen as the irrepressible Sach (and Glimpy, Dippy, Pig, Goofy, Crabface, etc.)

MENDIE KOENIG LIVES!
David and I stand by the accuracy of 99% of the data in our book. However, there was one glaring error for which we were eternally embarrassed when the true facts came to light shortly after publication. On page 217, we reported that Mende (Mendie) Koenig, who played one of the gang in the last three Eastside Kids entries (in 1945), was deceased. Regrettably, this information was considerably erroneous, as we found out upon receiving a witty letter from Mr. Koenig himself on Tarzana Elementary School stationery greatly protesting the exaggerated reports of his death. In fact, Mendie was still alive and was none other than the principal of the above-mentioned educational institution in Tarzana, California. Unfortunately, since Citadel had printed 10,000 copies of the book (a print run that has apparently finally been exhausted), we were not able to get a correction made. However, let this serve as our humble apology for our premature literary burial of this fine actor and even more skilled educator.

OBITUARIES
Though Mendie Koenig lives, several key players did leave us since 1984. These include:
DAVID GORCEY
Leo's younger brother, who appeared in more Eastside Kids, Little Tough Guys and Bowery Boys films than anyone except Huntz Hall, died on October 23, 1984, in Van Nuys, California, at age 63, after a 10 day diabetic coma. He had been heading a halfway house for alcoholics and drug abusers since the Bowery Boys series ended in 1958.
GABRIEL DELL
Dell became the fourth of the original six Dead End Kids to pass away on July 3, 1988 (at age 68) in North Hollywood of leukemia. He had been very busy in theater and television up until his death, and he and Huntz had appeared together on "Robert Klein Time" not long before his death.
ERNIE "SUNSHINE SAMMY" MORRISON
Sunshine Sammy died of cancer in Lynwood in July 1989. He was the original Our Gang kid, long before playing Scruno in the Eastside Kids.
DAVID DURAND
Durand, who appeared in a couple Dead End Kids films and was a six-time Eastside Kid, died on July 25, 1998, in Bridgeview, Illinois, at age 77. He had been a child actor in silent films, including Our Gang comedies.
JAN GRIPPO
Grippo, agent of Gorcey and Hall and original producer of the Bowery Boys, passed away in March 1988 at age 81 in Los Angeles. Grippo also had a sideline as a magician.

MR. BLACKWELL UNROBED
Infamous fashion designer Mr. Blackwell, of the "Worst Dressed" lists, has long and loudly boasted of being a former Dead End Kid. While working on the book, we were unable to ascertain whether this claim was true or not. The only Blackwell in any series film was Carlyle Blackwell Jr., a strapping, waspish leading man (son of the silent film star of the same name) who appeared in the Eastside Kids entry DOCKS OF NEW YORK (1945). He was immediately discounted due to his completely dissimilar physical profile, and we made no attempt to speculate about the accuracy of Blackwell's claims in the book.
When Blackwell's sensationalized autobiography was published in the mid-90's, it was revealed that his real name was Richard Selzer. As such, he had appeared in a later road show version of the play "Dead End," and on film appeared as one of the background street kids (not a Dead End Kid/Little Tough Guy) in LITTLE TOUGH GUY (1938), the first release of the Universal sub-series. His character had only brief, background screen-time in this film, putting his claims to being a real Dead End Kid (i.e. working in tandem with any one of the six "original" kids) into the most nebulous of categories

Dead End Kids


The Dead End Kids were a group of young actors from New York who appeared in Sidney Kingsley's Broadway play Dead End in 1935. In 1937 producer Samuel Goldwyn brought all of them to Hollywood and turned the play into a film. They proved to be so popular that they continued to make movies under various monikers, including the East Side Kids, the Little Tough Guys, and the Bowery Boys, until 1958.

[edit]History

In 1934, Sidney Kingsley wrote a play about a group of children growing up on the streets of New York City. A total of fourteen children were hired to play various roles in the play, including Billy Halop (Tommy), Bobby Jordan (Angel), Huntz Hall (Dippy), Charles Duncan (Spit), Bernard Punsly (Milty), Gabriel Dell (T.B.), andLeo and David Gorcey (Second Avenue Boys). Duncan left for a role in another play before opening night and was replaced by Leo, his understudy. Leo had been a plumber's assistant and was originally recruited by his brother David to audition for the play.
The play opened at the Belasco Theatre on October 28, 1935 and ran for two years, totalling 684 performances. Samuel Goldwyn and director William Wyler saw the play and decided to turn it into a film. They paid $165,000 for the rights to the film and began auditioning actors in Los Angeles.[1] Failing to find actors that could convey the emotions they saw in the play, Goldwyn and Wyler had six of the original Kids (Halop, Jordan, Hall, Punsly, Dell, and Leo Gorcey) brought from New York to Hollywood for the film. The Kids were all signed to two-year contracts, allowing for possible future films, and began working on the 1937 United Artists' film, Dead End.
During production, the boys ran wild around the studio, destroying property, including a truck that they crashed into a sound stage. Goldwyn chose not to use them again and sold their contract to Warner Brothers.[2]
At Warner Brothers, the Dead End Kids made six films with some of the top actors in Hollywood, including James Cagney, Humphrey Bogart, John Garfield, Pat O'Brien, and Ronald Reagan, including Angels with Dirty Faces (1938). The last one was in 1939, when they were released from their contracts due to more antics on the studio lot.

[edit]Little Tough Guys

Shortly after they made their first film at Warner Brothers in 1938, Universal borrowed all of the Dead End Kids except for Bobby Jordan and Leo Gorcey and made twelve films and three 12-chapter serials under the team names of "The Dead End Kids and Little Tough Guys" and "Little Tough Guys." Universal also contracted Leo's brother David and Hally Chester to join the team. After Universal released Jordan from his contract, Warner Brothers quickly signed him to join the rest of gang.
Because the original Dead End Kids were now working for several studios, their Universal films were made at roughly the same time as the Warner Brothers' 'Dead End Kids' series, and later, Monogram Picture's "The East Side Kids" series. The final Universal film was Keep 'Em Slugging, released in 1943.

[edit]The East Side Kids

After Warner Brothers released the remaining Dead End Kids from their contracts in 1939, producer Sam Katzman at Monogram acted quickly and hired several of them, including Jordan and the Gorcey brothers, as well as Chester and some of the other Little Tough Guys to star in a new series using the name "The East Side Kids." This series introduced 'Sunshine' Sammy Morrison, one of the original members of the Our Gang comedy team, to the group.
A total of 22 East Side Kids films were made, ending with Come Out Fighting in 1945.

[edit]The Bowery Boys

In 1946, with only Monogram making films using any of the original Dead End Kids, Huntz Hall, Leo Gorcey, and Gorcey's agent, Jan Grippo, revamped The East Side Kids, rechristening them "The Bowery Boys". These films followed a more established formula than the earlier films. First Jordan, then Dell departed the series after several films. Gorcey left after the forty-first film and was replaced by Stanley Clements for the remaining films. In all, a total of 48 Bowery Boys films were made, ending with 1958's In the Money. During the series Hall and Dell did a nightclub act together. Gorcey and Hall reteamed on film in The Phynx.

[edit]Epilogue

The Dead End Kids' star on Hollywood's Walk of Fame
In total the various teams that began life as 'The Dead End Kids' made 89 films and three serials for four different studios during their 21 year long film career. The team was awarded a star on Hollywood's Walk of Fame, which can be found at the corner of La Brea and Hollywood.
One notable aspect of the group's history is their transition from stark drama to comedy. When they began, in "Dead End" and their other early films, their characters were serious, gritty, genuinely menacing young hoodlums. But by the height of their career, their movies were essentially comedies, with the Kids depicted as low-class but basically harmless, likable teens - comic caricatures of their former selves.
The original play has had two revivals. A 1978 adaptation played at the Quigh Theatre in New York and another in 2005 at the Ahmanson Theatre in Los Angeles, where the family of the original Dead End Kids (Leo Gorcey, Jr., Bobby Jordan, Jr., Gabe Dell, Jr., and the nieces and nephews of Billy Halop) attended a performance together.[1]
Leo Gorcey, Jr., Gabe Dell, Jr., Bobby Jordan, Jr., Zach Halop, Jennifer and Melissa Halop (nephew and nieces of Billy Halop), and other family members, had not met prior to the 2005 'Dead End' revival, at the Ahmanson Theatre. They were brought together for this event, which was hosted and organized by Colette Joel and David Key.
The Ahmanson Theatre's publicist Ken Werther, assisted Colette Joel in orchestrating the entire cast of Dead End, to meet with all of the family members of the original 'Dead End Kids'. Hollywood history came full circle when the actors (who played the parts of their predecessors) met the sons, nephew, nieces, grandson and granddaughter of the original Dead End Kids.
Also in attendance at The Ahmanson Theatre were various entertainment personalities and published authors, including Leonard Getz (From Broadway to the Bowery), Jan Alan Henderson (Speeding Bullet), Alexis Cruz (actor), David Mendenhall (actor/entertainment lawyer), Delilah Cotto (actress), Lesa Carlson (singer), Keiko Halop (concert pianist), DJ Rabiola and Anthony Rabiola (actors), and Anthony Tremblay (production designer)

FEMME FATALE

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RAY CHARLES: LOOKING BACK

As his 80th birthday approaches, a look at the life and legacy of the late Ray Charles.


"I just do what I do." That's what Ray Charles told Billboard in June 2002 when asked to assess his role in music history. Of course, Charles' self-effacing response belies a groundbreaking career and a legacy that endures today, as fans look toward celebrating what would have been the legendary artist's 80th birthday Sept. 23. Looking back at Charles' storied career, what comes to mind is the phrase "musical genius." In Charles' case, that's no hype.


Rare & Unseen Ray Charles Photos | Charles on the Charts

80th Birthday Year Events | Charles Charity


In 1954, the artist's melding of gospel and blues yielded the pioneering hit "I've Got a Woman"-and forged an indelible imprint on R&B, rock and pop. His earthy, soulful voice graced a steady stream of classics after "Woman," including "Drown in My Own Tears," "What'd I Say," "Hit the Road Jack," "Unchain My Heart," "I Can't Stop Loving You" and "Georgia on My Mind."

Video below: Ray Charles performs "Hit The Road Jack" in São Paulo, Brazil on September 22, 1963.


Video below: Ray Charles performs "Then I'll Be Home" in Montreux, Switzerland on July 19, 1997.


Just as at home on the Hammond B-3 organ as he was on the piano, he also landed at the top of Billboard's R&B, pop, country and jazz charts-and even the dance chart, collaborating with childhood friend Quincy Jones and Chaka Khan on "I'll Be Good to You."

His final recording, 2004's "Genius Loves Company," made history when it won eight Grammy Awards, including album and record of the year for his pairing with Norah Jones on "Here We Go Again."

But what many may not know is that the inimitable Charles was also a genius when it came to the business side of music. In the early '60s he negotiated a rare feat after leaving Atlantic Records to sign with ABC-Paramount: ownership of his own master recordings. He also established his own labels. Tangerine (his favorite fruit) came first, which later evolved into CrossOver Records.

A songwriter who penned nearly 200 songs, Charles also operated his own publishing companies, Tangerine Music and Racer Music. For these entities, Charles and longtime manager Joe Adams designed and built the RPM International office and studios on Washington Boulevard in Los Angeles. The Ray Charles Memorial Library will open in the building this fall.

Charles also found time to manage the careers of other acts, including Billy Preston and '70s R&B group the Friends of Distinction. And way before it was de rigueur for artists to do, Charles set up what became a foundation to help needy children with hearing disabilities and later on support education.


He was an amazing human being," says Jones, 77, who became friends with Charles when both were scrappy teenagers in Seattle. "A true innovator who revolutionized music and the business of music," he adds. "Growing up, we only had the radio; no Michael Jackson, Diddy or Oprah. So it was hard to imagine today's entrepreneurial world. But that didn't stop us. We spent a lot of time talking and dreaming about things that brothers had never done before."

"He really was a genius," says singer Solomon Burke, a former Atlantic labelmate. "He did things the way he wanted."

Charles was born Ray Charles Robinson Sept. 23, 1930, in Albany, Ga. As many learned through actor Jamie Foxx's Academy Award-winning portrayal in the 2004 film "Ray," Charles became blind by age 7 and orphaned at 15 while growing up in northwest Florida.

In eight years at a state school for the blind, the young Charles learned how to read and write music. Leaving Florida in 1947, he headed for Seattle ("Choosing the farthest place he could find from Florida," Jones says), where he notched his first hit two years later as a member of the Maxin Trio, "Confession Blues."

Even then, Charles was an enterprising individual. "He had his own apartment, record player, two pairs of pimp shoes, and here I am still living at home," Jones recalls with a laugh. "His mother trained him not to be blind: no cane, no dogs, no cup. His scuffed-up shoes... that was his guide and driving force. He was the most independent dude I ever saw in my life. Ray would get blind only when pretty girls came around."

Signing with Atlantic Records in 1952, Charles as a West Coast jazz and blues man recorded such songs as "It Should've Been Me" and label co-founder Ahmet Ertegun's composition, "Mess Around."

Then he connected in 1954 with "I've Got a Woman," which set off a chain reaction of more hits capitalizing on his bold gospel/blues fusion. But Charles was just getting started. In 1958, he performed at the Newport Jazz Festival, accompanied by a band that featured such jazz cats as saxophonists David "Fathead" Newman and Hank Crawford. Further bucking convention, he recorded "The Genius of Ray Charles," a 1959 release offering standards on one side (including "Come Rain or Come Shine") and big band numbers on the other, featuring members of Count Basie's orchestra and several arrangements by Jones.


Video below: Charles' 1966 Coke commercial, "So Tired."



Leaving Atlantic for ABC-Paramount, a fearless Charles recorded the seminal "Genius + Soul = Jazz" album in 1961. A year later, his earlier dabbling in country music grew serious with the release of the million-selling "Modern Sounds in Country and Western Music."

Complemented by lush strings and a harmony-rich choir, he scored with covers of Don Gibson's "I Can't Stop Loving You" and Ted Daffan's "Born to Lose"-and spent 14 weeks at No. 1 on the Billboard 200.




For a black man to do this in 1962 was unheard of," says Tony Gumina, president of the Ray Charles Marketing Group, which handles the late artist's licensing affairs. "He was trying to sell records to people who didn't want to drink from the same water fountain as him. But this was one of his greatest creative and business moves: to not be categorized musically and cross over. Though he never worried about it, he was resigned to the fact that he might lose some core fans. But he thought he'd gain far more in the process."

Gumina was operating his own promotion company working with state lotteries when he met Charles in 1999. The two teamed up on a series of commercials for various state lotteries and also introduced a line of Ray Charles slot machines also accessible to the blind.

"Everything he did had a business acumen to it," says Gumina, who cites Charles' liaison with manager Adams as a pivotal turning point. Originally hired to be Charles' stage announcer, former radio DJ Adams segued into overseeing production of the singer's shows, lighting and wardrobe.

Together the pair designed and built Charles' L.A. business base, RPM International (Recording, Publishing and Management) studio. When he began recording there in 1965, the label rented the studio from him, so he made money on his recordings before they were even released.

To save money on travel expenses, Charles purchased an airplane to ferry his band around to gigs. A smaller plane was also acquired so that Charles could wing in to, say, New York to record a couple of songs before flying back out in time for a show.

"He understood the entertainment business enough to know that you may not be popular forever," Gumina says, "and you need to maximize your product. At the same time, he had as much fun as any rock star but without the sad money stories. There was a time to work and a time to play, and he knew the difference. He didn't have a bunch of homes or a large entourage. That's why he was able to save $50 million before he died."

Calling Charles an "incredibly smart man," Concord president John Burk says he learned a lot from the ailing singer while he was recording his final studio album, "Genius Loves Company."

Video below: Ray Charles performs "It Ain't Easy Being Green" in Trentnton, NJ on Nov. 7, 2002.


Going through "some sticky deal points, he was amazing," Burk recalls. "He had the whole agreement in his head. Without referencing any material, he knew all the terms we proposed and had the deal done for the album in two discussions."

Creatively, Burk says Charles was an artist dedicated to delivering "a true performance from the heart. Part of his creative legacy was his approach to singing. He opened the door to vocal improvisations, changing how people perceived you could sing a song. Many singers today are influenced by him and they don't even know it."


Rare & Unseen Ray Charles Photos | Charles on the Charts

80th Birthday Year Events | Charles Charity

WHACKO JACKO - AN ODYSSEY

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